39 Of The Best Guitar Pedals – A Beginners Guide
Ever wonder how you would choose the best guitar pedals for your pedal board, when the options are almost endless?
There have been a number of readers asking me for advice on setting up their first pedal board, so rather than answer everyone individually, I thought I would write a post that everyone can benefit from.
When setting up your first guitar pedal board, you might be slightly overwhelmed by the choices available these days. Or you might be tempted to spend hours and hours in the shop trying to decide which pedals you need in order to pull an awesome sound with your guitar/amp combo. While this would definitely help you find some great pedals, the following guide will hopefully make that selection process a little easier and less overwhelming 
With so many choices and options available these days, it’s getting easier to end up with a bad tone/sound. While there is no ‘perfect’ solution for everyone, the following is my advice on some of the basics when it comes to picking out the gear and putting it all together.
The Guitar
This is, without doubt, the most part of your gear. The better your guitar feels and sounds in YOUR hands, the better you will play. So many people make the mistake of trying to make a cheap guitar sound good with more effects or a better amp. You don’t have to spend lots of money to get a great guitar, but the less you can afford, the more carefully you’ll want to choose the guitar. If you can invest a good portion of your money into the guitar, you’ll be far better off, whereas something cheap and nasty will sound bad and be hard to play, probably leaving you quite frustrated!
The Amp
In my opinion, a bad amp can make a good guitar sound bad. Obviously your budget will limit what you can spend, but try to get something decent that you can continue to use for the years ahead. There are quite a few different types of guitar amps – Tube/Valve, solid state, digital modeling, hybrids (tube amp with digital modeling). Finding an amp you like comes down to personal preference, however I would recommend getting a tube amp if you can afford it. Without going into too much detail, tube amps have a fat, warm, analog sound that most digital amps struggle to reproduce, IMHO
The Pedals
When purchasing pedals to build your pedal board, there are literally thousands of choices. The following guide will hopefully help you to make sense of it all.
I’ve listed the most common types of pedals you’ll find on pedal boards today and some specific pedals that I would personally recommend as a good starting point. Everyone will have different needs and personal tastes. So I would recommend choosing some pedals to test and find which one suits your needs.
1. Tuner
Generally the first pedal in your ‘signal chain’ will be the tuner. A well tuned guitar is always a great place to start when playing live.
The top 3 tuner pedals I would recommend are:
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Boss TU3Average Price $100 |
Korg PitchblackAverage Price $90 |
T.C. Electronic PolytuneAverage Price $100 |
2. Overdrive/Distortion
Although people often think of distortion and overdrive as the same thing, they are quite different from each other. An easy way to think of distortion is a more extreme version of the overdrive pedal. An overdrive pedal is usually warm and fat sounding, whereas a distortion pedal typically has a very harsh and ‘biting’ sound to it. Overdrives are often used in blues and rock, whereas distortion is used a lot in metal music.
The top 3 overdrive pedals I would recommend are:
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TubescreamerAverage Price $200 |
Sparkle DriveAverage Price $150 |
Tim DriveAverage Price $250 |
The top 3 distortion pedals I would recommend are:
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Jekyll & HydeAverage Price $160 |
RAT DistortionAverage Price $80 |
ExpandoraAverage Price $250 |
3. Volume Boost Pedal
This is another essential pedal that I’ve got on my board. It’s great for the moments in a song (ie. a solo, or turn-around) where the guitar needs to jump up in volume for a bit. It can also be useful if you only have one overdrive pedal, you can use the boost pedal as a second stage of ‘lead’ overdrive which will drive your amp harder by feeding it a hotter signal.
The top 3 boost pedals I would recommend are:
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MXR Micro AmpAverage Price $80 |
Xotic RC BoosterAverage Price $160 |
Keeley KatanaAverage Price $200 |
3. Delay
A simple delay with a tap tempo function will enhance the âdrynessâ of your sound. There are so many great delay pedals out there today, so I’ve only managed to get it down to my top 6 recommended pedals:
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Eventide TimefactorAverage Price $400
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Boss DD-20Average Price $200
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Nova DelayAverage Price $200
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Boss DD-7Average Price $150 |
Ibanez Ad-9Average Price $200 |
Ibanez DE7Average Price $60 |
4. Volume Pedal
When choosing where to place a volume pedal in your signal chain, most people either place it first on the board or just after the overdrives. I like to place it just after the overdrives but before the delay, as it gives a great saturated tone when doing ‘volume swirls’.
The top 3 volume pedals I would recommend are:
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Boss FV500HAverage Price $100 |
Ernie Ball Jr.Average Price $100 |
Goodrich ActiveAverage Price $300 |
5. Compressor
A compressor pedal is designed to deliver an even volume output. It make the quite parts louder and the loud parts softer. It can also improve your sustain which is increasingly noticed when placed behind an overdrive pedal in your signal chain.
The top 3 compressor pedals I would recommend are:
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Keeley CompressorAverage Price $250 |
MXR Dyna CompAverage Price $80 |
Diamond CompressorAverage Price $250 |
6. Tremolo
If you ever played with the volume on the radio as a kid, quickly turning it up and down.. Well, you were a tremolo effect
The top 3 tremolo pedals I would recommend are:
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Voodo0 Lab TremoloAverage Price $130 |
Fulltone Supa-TremAverage Price $180 |
ZVex Tremolo ProbeAverage Price $300 |
7. Reverb
“What does a reverb pedal do?”, you ask.. It gives you reverb
These pedals are used more in a recording situation rather than a live venue. As the venue will have it’s own natural reverb. The key here is ‘less is more’. In a live setting, too much reverb will drown out your guitar in the mix.
The top 3 reverb pedals I would recommend are:
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T-Rex RoommateAverage Price $350 |
Boss RV-5Average Price $120 |
Line 6 VerbzillaAverage Price $120 |
8. Wah Wah
This easiest way to explain a wah pedal is this: Voodoo Child
The top 3 wah pedals I would recommend are:
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ï»żDunlop Crybabyï»żAverage Price $80 |
Fulltone Clyde DeluxeAverage Price $200 |
ZVex Wah ProbeAverage Price $330 |
9. Phaser/Flanger
A flanger and phaser can add a new ‘colour’ to your tones. The earliest flanger effects were created by playing two tape decks, with both playing the same thing, while an engineer would change the speed of the second tape. This would create a ‘whooshing jet stream’ type of sound.
The top 3 phaser/flanger pedals I would recommend are:
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MXR Phase 90Average Price $80 |
Small Stone PhaserAverage Price $80 |
MXR FlangerAverage Price $100 |
10. Chorus
A chorus pedal will split your guitar signal and modulate one of them by slowing it down, detuning it it and then mixing it in with the original signal. It creates a thick & lush sound.
The top 3 chorus pedals I would recommend are:
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Boss CE-2 ChorusAverage Price $150 |
Voodoo Lab Analog ChorusAverage Price $130 |
Fulltone Choral FlangeAverage Price $250 |
Summary
With every new pedal you add, always compare the original tone of just your guitar and amp without the pedals. If there is any loss of tone or volume, then it might be time to simplify. Don’t try to fix a bad sounding guitar by adding more effects. Make sure your guitar and amp sound great plugged directly into the amp and then you can starting adding effects to your signal chain. Listen for any loss in your guitarâs attack, volume or sparkle.
Tip: When all your pedals are finally set up, turn them all off and your final sound should be no different at all if you unplugged from your board and went direct into your amp.
Also, don’t forget the importance of good cables for your pedal board and a good power supply. These are two of the biggest factors in ‘tone loss’ on a pedal board.
Make sure you practice a lot with the new gear and get to know how the pedals work with each other. Ultimately, good tone comes from the relationship between your fingers and ears. The goal is to get your fingers to play what your ears want to hear
Rock On!
Tags: guide, help, pedal board
About The Author: Danny
I have been playing guitar for over 20 years now and love it more every day. I hope through this blog I can inspire and be inspired by other musicians. Music is a journey, and this blog is my way of sharing that.
View all articles from Danny (61)
06.04.11
Hi, Danny,
Thanks for the article. I enjoyed it immensely. I am a newish, “serious” guitarist now. Been banging on one for over 20 yrs, just never had the time to really get into playing like I wanted. Post divorce, bought a good acoustic and then a Mexi Strat and, finally, an American Strat. LOVE the Strat sound. I love blues and a Strat just hits me as the guitar for blues (I know, Bonamassa is on Gibsons, to each his own). Now I have more time and am improving slowly. It truly is a journey and I love that aspect of playing.
Thanks,
Dale
07.04.11
Thanks Dale.. Keep Rocking!
06.04.11
Danny,
Nice article. I am new to your blog / website and found it from a LinkedIn discussion you started.
I did notice a few typos in your text, if that is of concern to you. (I can’t help myself, I am an engineer that can actually write coherent sentences.)
Hope this helps. Keep up the good work.
07.04.11
Thanks Ivan.. Feeling the love
07.04.11
Good list. Your setup is going to be determined by what you play. If you are playing originals, chances are you will find a couple of pedals which will meet all of your needs (unless you play in U2). If you play covers (like I do) you will probably need more options. I am a Line 6 guy. I pay for one multi-effects pedal and get pretty much everything I’ll ever need. I know there are a bunch of tone snobs out there who hate digital, but it has come a long way over the past few years.
07.04.11
Danny, I believe the Blackstar pedal series (especially the HT-DRIVE) should be on that page.
07.04.11
Hi John, I’ve heard good things about the blackstar pedals, but I’ve never tried them myself.. the pedals I listed are the best from what I’ve tried.. there are just so many!
07.04.11
Hi Danny
What do you use to attach your Pedals to the board?
Have you looked at our product called Pedal Board Tape, see the review on our website from Guitar Buyer Magazine UK
07.04.11
Also, Chris & Rick, I used bike chain links to attach my pedals to the board.. I’ll write a post on it one of these days..
However, that pedal board tape seems pretty good.
07.04.11
Also, check out the hilarious youtube-site belonging to Gearmanndude, where he demonstrates and rates various pedals (so far around 7-800 different ones):
http://www.youtube.com/user/gearmanndude
07.04.11
Henrik, totally love watching Gearmandude’s pedal reviews. He reminds me of Jack Black soo much haha!
07.04.11
If I could offer one piece of advice on this topic, it would be: Do not buy effects pedals just for the hell of it! For many years I did not have any effects, not even reverb on the amp (back in the 70s my second hand Marshall 50w top did not run to such extravagancies!).
I now have a collection of Fx pedals, but I only use them and indeed only purchased them, because a particular song our band played at that time needed that sound. I would admit now that the compressor is something I now use a lot, particularly in solos, one can get a nice solo using the clean channel with lots of sustain from the compressor; and similarly the chorus gives a nice sound on simple rhythm parts too.
Learn to play the guitar rather than pedals!
)
07.04.11
Robert – totally agree with not getting into just “playing the pedals.” Danny – nice article. I don’t know how you could narrow them down like that – there are so many to choose from! Not an easy task.
A couple of comments: If you set up your own guitars I would suggest one of the Peterson strobo tuners. More $$, but really useful for more than just on stage. I find it significantly more accurate than the other small tuners I’ve used.
Overdrive and distortion is so subjective and *really* depends heavily on the guitar and amp being used. Overdrive is especially odd for me. I’m currently using the Fulltone Fulldrive (basically a nice TS9 plus boost), and I find some nights it’s almost always on, and other nights I don’t use it at all because the amp is already breaking up perfectly on its own. IMO distortion is often way over used (often buzzy noise to me). Depending on the amp and settings, it is usually possible to have it set up so raising the guitar volume makes the amp break up nicely, which is all you need for nice chunky chords a lot of the time.
A while back when I started playing in my first cover band I got a multi effect unit – Boss GT-3. I’m not a huge fan of many of the sounds (really not a fan of the COSM amps for example), but it has a *ton* of built in effects, and that’s what I used to mimic all those cover songs that had one-off effects. Way cheaper than buying each effect separately, and “close enough” for most cover band purposes. I never use the GT-3 with my original or recording projects. It is fun to use, but I totally get sucked into playing around with it and get distracted from the music.
07.04.11
I have a different perspective on pedals. I find having a capable pedal providing the tone I need for a given genre of music allows me to just focus on my playing. When playing the blues, I want a strong sustain and a bit of “hair” on my leads. Having a compressor and an overdrive pedal running lets me just think about the music without worrying about my notes dying-off prematurely or tweaking setting to get some dirt. Rather than playing the pedals, the pedals allow me to just play.
btw, I second the recommendation for the Peterson tuner. They are so much more accurate and quicker to use.
07.04.11
hey guys, I had the pleasure and opportunity to try out FractalAudio.com’s new amp modeling system. There’s ZERO difference between the modeled VOX AC30 and the real thing, other than the XLR stereo outs sound cleaner on the AxeFx over an actual microphone placed in front of a vox. (disclaimer i don’t work for them nor am i paid. i will be using their products and describing them out of my nerdness on my site).
I had the line6 POD who did amp modeling in 2000 and were pioneers… now this company has had cliff the owner spend almost 3 years on the modeling algorithms and he’s nailed it to the point such that John Petrucci and Steve Vai, Steve Stevens are all on board with it.
I’m selling EVERYTHING and getting one custom built that fits in checkable luggage and has the capability to duplicate 317 full Billy Corgan style rigs. no nonsense. i’m so stoked. my tech (http://niceracknyc.com) and good friend Vegas built the rigs with Fractal Audio’s 2 space unit for the U2 funded spiderman broadway show in NYC so we’ve been able to get a hold of the Units. They use flat speakers with a power amp rather then Celestions because all of that is modeled pre-output.
yeah…. i’ll be launching http://GuitarTechnician.com with Vegas soon and have an expert guitar tech forum please come visit and follow @GuitarTech – I’m stoked. Oh and I’m going to sell two Mesa / Boogie’s + 4 x 12 cabs, and lots of gear this month. hit me up if you are looking for anything. aaronkronis@gmail.com
07.04.11
Hey Aaron, I personally did the same thing but ended up going back to pedals.
Basically, I sold all my pedals and bought the AxeFX, used it for 4 weeks and then sold the AxeFX and built a pedal board again.
Firstly, I just want to say that the AxeFx is amazing.. I had lots of fun playing with it for 4 weeks.
In the end, after playing with it live (direct to pa) every weekend and playing around with it at home (through studio monitors) every night for 4 weeks, I started to miss the ‘extra’ juice that I used to get from my old pedal board and vox ac15.
I’m sure there is more tweaking I could have done to get it sounding better, but to be honest, I’m so happy having a pedal board again. To me, there is nothing like the ‘real thing’.
There are lots of pros and cons of the axefx, but here is what stood out to me:
Pros:
Easy to setup at a live situation and get good tones straight away.
You can spend hours on each preset for every song in the set and just recall them with a button.
Sounds really good and very close to a tube amp.
Tons of awesome effects.
Tons of awesome amp sims.
Cons:
IMHO, this does not sound as good as a good pedal board and amp combo.
Takes a lot of tweaking time to get really good tones exactly how you want them.
I ended up only using one or two amp simulations most of the time rather than the 70+ amp sims in the unit.
The cost. I could get a real nice pedal board for about half the price of the axefx.
This is trying to simulate the real thing… for me I’d rather just get the real thing (ie. analog pedals and a tube amp).
In summary, I think the axefx sounds just as good as a tube amp in a recording situation. But live, I think a good tube amp and pedal combo sounds better.
Just my 2 cents
07.04.11
Well…Absolute classic is a B.K. Butler…”Tube Driver”..used by Gilmour..Knopfler..Urban..etc.
Nice 12ax7 in it..drives any amp right into orbit…
… in my opinion MXR makes phenomenal Delay pedals as well…
and finally…The Rat..another nice distortion piece..
07.04.11
I could go all day on this but to narrow down things… In the afordable range I agree with MXR products. Phase 90, Dynacomp, Carbon Copy, The RAT 2 is good as well as the DOD OD250, Mi Audio Crunch Box and Fulltone OCD for dirt (these can be purchase used for under $100 if you know where to go). The boss DS-1 and SD-1 are fine if you plan on modifying the circuit at some point. EXH for delays ( I like the stereo Memory Man) as well as the Boss DD series. There aren’t a lot of fuzz pedals that I like. The one I use and love is the Lovepedal 200lbs of Tone but is a little pricey for a beginners guide). I’m not a Wah guy.. I used the Crybaby for years and hated it. Thats my 2 cents…..
07.04.11
The Durham Sexdrive is also very nice, blackface voiced and really adding some texture and the guitar responds well to it when you roll your volume knobs up or down. My ‘old’ beat up Ratt stays forever great pedal. peace Han
29.07.11
I started playing the guitar just this last January so I’m not exactly speaking from a lot of experience. But I’d certainly disagree with the advice to not get a pedal just for the hell of it. I can’t imagine any better reason to get a pedal than just because you love how it sounds and you want it. I practice with my guitar every day and I sure do love playing scales and exercises with the chorus and tremolo and fuzz and delay and reverb and ….
That said, I’m playing my nice G&L through my daughter’s silly little SS Orange 12w amp, so that likely has a lot to do with it. I suspect that when I invest in a decent tube amp next year this practice may change.
Regarding the suggested pedals, I vote fuzz before distortion or overdrive. My first pedal was a Way Huge Swollen Pickle and it’s still my favorite stomp box.
Lastly, when interested in an effect, I suggest finding something cheap and used (there’s always a Boss Whatever on Craigslist), see if you like it, and then start saving for the upgrade. For instance, a Boss DD-3 is a perfectly fine delay and you can find them for cheapo. If you decide you love delay, and once you know what you wish it did that it doesn’t, and once you know what you like and don’t like about the sound, go to your local guitar shop and try all their delay pedals. If you still love your DD-3, awesome. But more than likely you’ll try an analog delay like the Memory Man or a digital like the Strymon El Capistan and your head will explode.
08.08.11
Hey I liked the article but what about a fuzz pedal surely the Fuzz Face, Vox Tone Bender, Marshall Super Fuzz or some thing like it should be mentioned! Keep up the good work!
10.09.11
This was a great idea for an article. If I may be so bold to interject some of my own recommendations; I think it not only makes things more interesting to have effects at your disposal – but certain effects can lend themselves well with todays modern music. For example, in the last 7 years or so, with the prevail of Garage-Rock, Lo-Fi, Motown, etc. – thereâs obviously been a huge growing come back of retro-60s/70s effects such as FUZZ pedals, OCTAVE pedals, ENVELOPE FILTER pedals, TAPE MACHINE’S – and even SYNTHESIZER pedals. Bands like “The Black Keysâ, âThe Killsâ, âTia Carreraâ are just some examples of these kinds of bands. The quality & amount of effects to choose from has never been greater. Some of my all time favorite pedals starts with the simple âDunlop JH-F1 Hendrixâ, âEffectrode Tube-Vibe” and/or âEffectrode Delta-Tremâ, âElectro Harmonix Q-Tronâ, “POG/POG2â, âEchoplexâ, etc… A great BOOST pedal & WAH pedal such as RMC is almost a necessity.
24.10.11
Danny, that was a great article. I like all of the products you listed but I would recommend adding two more to the list. When it comes to distortion, I choose the Electro-Harmonix Metal Muff over any other pedal. The only downside to the Metal Muff is the absence of presets. The other pedal I would recommend is the T.C. Electronic Nova Modulator. It has been very useful and space saving for my pedalboard. It offers these effects: Chorus, Flanger, Phaser, Tremolo and Vibrato. Like the Nova Delay, it offers up to 9 different presets and it also allows you to run two effects at the same time. I hope you take into consideration what I just mentioned and give the Nova Modulator and Metal Muff a chance. Keep Rockin!
- Jay
27.10.11
Hello Danny
After Reading the post .. i will just say ” Huhh .. ?? ”
are there so many types of pedals ??? ( yes there are )….. well i m very surprised, as i only knew about Wahh-Wahh Pedals and Distortion one ..
But in the end i would like to say that your blog is simply the best place to collect countless information about guitar …
In hope of getting more rocking Posts in future
Thanking You
Kind Regards
08.12.11
@ everyone, this is a honest, good and accurate blog. Good
work. Pedal chain order is very important. Compressor, drive
(dirt), modulation,(phaser,flanger,chorus,vibrato,octavier),
delay, echo, reverb. 2 exeptions, 1st, WahWah always seems to
be first?? 2nd it’s up to you to put pedals where you like them.
The order list is how sound engineers demand it.
Left out in his pedal choices, was pedals in the $300.00 range
Strymon. Stymon pedals are amazing period. YouTube them
and listen for yourself. Overall, great info for first time pedalboard
builders. Have fun. PS. http://www.fuzzhugger.com is my favorite pedal
place. Great Fuzz=Great Tone.
29.12.11
Hi Danny!
Just one little question..Can an Overdrive pedal ( BOSS OD-3) substitute a volume boost pedal (MXR Micro Amp) ?
Cheers!
21.02.12
Hi! have you tried using the boss GT-10? can you make a review, thanks
26.02.12
I’ve got enough on my hands trying to figure out how to play the guitar without pedals… but now I know where to come if I decide I want to try some.
29.02.12
Hey Dan!!! I have a question for you that I just can’t seem to find an answer to.
I’m a beginning guitarist and I’m about to venture out into the humongous land of
FX pedals. I know the difference between digital and analog pedals but just have one question about them. If I have an analog distortion pedal and put, let’s say, a digital delay (such as the
DD-20) after it, will it take away from the analog sound from the distortion pedal?
15.05.12
hey danny
i read your article, and i realized there’s just one problem with me and my guitar.
we dont have any money.
do you have any suggestions for great cheap pedals?
if so, email me- lpl790@hotmail.com
16.06.12
Hey danny umm after i read this post, i think you have quite a good information about rigs, im a buying a schecter hellraiser c-1 soon, i just dont know what amp to get, and what pedal too, i have a budget of 2100 dollars, any help ?
23.09.12
This page has been my bible for the last 1 1/2years,
i’m now proud to say i own a pedal from most of these categories (although i sadly admit, i’m a bit BOSS heavy… i know, i know, but boss tend to be cheaper and i’m not the richest man)
I’ve got the Boss Tuner (had for years, i still believe this is the best stage tuner around. hands down.)
my distortion is actually the boss metal zone (i’ve had it for years, since i read it was what adam jones uses, not sure if its true, but it sold me on it when i was a massive TOOL head. But honestly, it’s really got a fantastic range)
I bought the MXR micro amp because of this (fantastic)
I already had the Boss digital delay. (i’m a hardcore delay addict…)
I’m literally purchasing the boss reverb tomorrow (once again, because of this page, and price)
I picked up the cry baby (because of this page)
I don’t care too much about tremolo and phasers so i haven’t bothered,
with the chorus i have a boss but it is a newer version than the one listed, i picked it up second hand.
and when i start performing live again i’ll get the dyna comp by MXR and run it just after my wah (i get horrible screaming treble because of where i run it in my chain) I know a lot put their wah earlier in the line but i actually have it after the distortion and directly after the delay. Doing this i can have some awesome eerie swell type effects. (if you look up “inception concert part 1/2″ on youtube and skip to 4:40, you’re able to recreate very similar sounds to that of her electric cello)
Cheers for the tips.
Tim,
Oh, and FYI, if you’re ever in Japan and you want to see an amazing range of pedals. i highly suggest you visit Ishibashi music in shibuya (tokyo area).
and in Kyoto there is a cheap shop for pedals… my receipt says “super guitar shop big boss” but who knows what the store is really called.. but i’ve bought 3 pedals from there and they’ve been equal to or at least give ebay a run for their money.. and you can try them out if you ask… a lot of fun. Picked up my wah from there and my boss FV500H (both for around $100 AUD)
22.10.12
dean markely overlord is a great drive peal , i think you really need a tape for echo delay . like a watkins copicat
04.01.13
Great article, helped me decide not to buy a reverb pedal. Used one on my latest album, but I guess I don’t need one for live situations.
12.01.13
Appreciation to my father who told me concerning this weblog, this web site is truly awesome.
05.02.13
Thats is one monster effects pedal in the picture. How on earth do you make sure you get the right pedal each time?
09.02.13
Thanks so much for posting, super helpful!
18.02.13
Hi,
I am a relative beginner and seem mostly interested in playing blues guitar. What pedal would you recommend to enhance the “blues” sounds?
Thanks,
Bill
22.02.13
Love your tips and recommendations. Q. Can you help me with pedal order. My big issue is the ds1 boss makes this high pitch whistle when I kick it in. Here is what I have and the order now.
Vox way pedal, korg tuner, boss ds1, boss super chorus, MXR micro amp. Thanks so much.
Rick
28.03.13
Hi Danny, great blog! I’m selling my digital pedalboard, its a Line6 i had a lot of fin with but i now want the real thing. I’m on a budget so i have to start with the most important first. I think at least i need: overdrive, volume pedal, chorus and a digital delay for my personal playing style. I’m planning to Get: Ibanez tube screamer, ernie ball volume pedal, MXR micro chorus and joe satriani time machine delay. Would you recommend something different on a similar budget?
Thanks for this blog
08.04.13
I have been surfing online greater than three hours today, yet I by no means found any attention-grabbing article like yours. It is lovely worth enough for me. In my view, if all webmasters and bloggers made good content as you probably did, the web will be much more helpful than ever before.
08.05.13
en verdad una explicacion facil de entender y muy muy profecional!!!!!!!
me siento feliz de tener un Jekyll & Hyde volumen 2 como base en lo que toco!!!!!
toco rock nacional solamente uso el Jekyll & Hyde y un dd3 para darle cuerpo a los solos y me gusta convinarlos (overdrive y distor) ala hora de los solos ya que el sonido incrimenta y hace que resalte solo que no se si sea normal que a la hora de precionarlos al mismo tiempo ambos meta un ruido pero a la hora de tocar desaparece!!!!!! podrias darme un consejo te lo agradeceria o deposi al convinarlos hace ese ruido es normal?? o como lo puedo eliminar gracias!!!!!!!
18.05.13
Totally not a new design. I have this style in a bag more than 10 years old, nearly identical. Also, not worth more than a $1000. yikes!
21.05.13
An extract from comic poet “Alexi” suggests, “Position ground oregano at the base of the dish and use molassses for colour”.
Or you can stay on much less by earning soap much less expensive than you’d pay for industrial soap.